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A furious debate is raging about The Abbey’s role and how much public funding, if any, it should receive. Leaving politics aside, their programme is both adventurous and highly supportive of Irish playwrights.
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Established in 1928, The Gate’s juggling of the old and the new means equal billing for Beckett and the current crop of Irish playwrights who aspire to his level of greatness.
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A cornerstone of the Dublin arts scene, but smaller and therefore more prone to taking risks than the Gate or the Abbey, it continues to push the envelope with new Irish playwrights and experimental theatre to the fore.
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